Showing posts with label Scorpione. Show all posts
Showing posts with label Scorpione. Show all posts

Sunday, February 1, 2026

The Giant's Last Tiny Car - Fiat Abarth 1300/124 Scorpione

The October ’68 Paris Motor Show is probably best remembered for its hosting of the Bertone Alfa Romeo Carabo styling concept car’s debut.  All these years on, it is a design that still seems futuristic and is an example of Marcello Gandini’s best work.  Though its lines were comparatively restrained and it housed a far more mundane engine than the Carabo’s Alfa Romeo 33-based V8, there was another wedge-shaped car making its first public appearance that year at the show’s Parc des Expositions, Porte de Versailles venue.  The Fiat Abarth 1300/124 had been in preparation since May ’68 at Corso Marche.  That was only very shortly after the car on which it was based had itself been launched in March ‘68.  This was the Francis Lombardi Grand Prix 850, itself an evolution of a vehicle that had been created at Fiat to explore the idea of utilising an Autobianchi driveline in a sporting coupe.  Although some accounts assert that the body was styled by Giuseppe Rinaldi, (working at Francis Lombardi), it was more likely finalised at Fiat well before any knowledge of its existence had reached the Vercelli-based Carrozzeria.  That being the case, it was very probably from the drawing board of Pio Manzù, then in his twenties and about to become a rising star at Fiat.  Although a photograph of that car – which was shown at the Turin Show in ’67 – has not come to light, a Manzù design from ’64 shows some aspects which can be discerned in the Lombardi Grand Prix, especially the somewhat disproportionate C pillar/rear quarter panel – see below:

’64 Autonova GT by Pio Manzù  Courtesy Carrozzieri-italiani.com

Through the Fifties, the Lombardi business had specialised in custom conversion work, at first in limousine styles, on, by way of the first Popemobile (!), and further still in the Sixties to the upgrading of small cars such as the Fiat 500.  Indeed, the Grand Prix was built on a Fiat 850 chassis and powered by the 843 cc Fiat 4 cylinder engine.  While this was hardly in tune with the Grand Prix’s name and sleek body, since it produced only around 45 bhp, the car’s weight at under 700 Kg allowed performance at a level considered ‘sporting’ in the late Sixties.  But not sporting enough by Carlo Abarth’s standards, so he saw another opportunity to make a significantly more zestful version through the company’s proven elaborazione method focused on engine capacity and gas flow modifications.  Thus, the Tipo 104 1300/124 Scorpione was created as a distinct Fiat Abarth model.  Its main distinguishing feature was the Fiat 124 engine, bored to 1280 cc.  It was given a higher (10.5:1) compression ratio, equipped with a Solex 32 mm carburettor and designated Abarth Tipo 204.  This provided 75 bhp – a healthy 66% increase on the Grand Prix’s output.  With this increased performance potential in mind, Abarth prudently revised the mechanical configuration by relocating the coolant radiator to the front end of the car.  The Scorpione’s factory-claimed metrics were  0-60 mph in 9.8 secs and a 114 mph top speed.  With pricing at around Lit. 1.600.000, the Scorpione promised strong sales appeal based on its style – notable especially for its GT40-like ultra-low height, at 43“ - and brisk performance.  It is tempting nevertheless to speculate as to whether it could have been even quicker if it had been lighter still - given the era and the general shape of the body, it might be supposed that it was constructed in alloy or fibreglass, but it is in fact all steel, with the exception of the composite rear panel.

’68 Fiat Abarth Scorpione #1341901192  Courtesy Bonhams

The interior is attractive, with a distinctive feature in the unusual, centre mounted instruments pod.  There has been some criticism of this from an ergonomic viewpoint by drivers who expect to see the main instruments - especially the rev counter – in clear view in the centre of a natural line of sight, straight ahead.  Seen below is the interior of OTAS 820 CC, #0035:

’71 OTAS 820 CC OTAS #0035  Courtesy RobM, Bring a Trailer

For a car that was in production for just 4 years, there was quite a proliferation of variants and – looking at what has been written about it – a good deal of confusion about specifications.  However, despite some claims that Abarth made and marketed some versions powered by the ’68 Fiat 903 cc Sport version of the 850 engine, the Corso Marche-made models are generally considered to be just the Scorpione, S and SS.  Otherwise, the following related, same-body models were:

Francis Lombardi Grand Prix –  launched in March ’68 and subsequently updated with the 850 Special engine and also with a black louvred engine deck lid. In production until ’72.

OTAS 820/Giannini Grand Prix – The Officina Trasformazioni Automobili Sportive company was formed in ’69 by Lombardi in collaboration with the tuning business, Giannini.  It made 817 cc OTAS 820 versions for Europe and, with emissions modifications for the U.S., designated OTAS 820 CC, and a twin cam 982 cc ‘Tigre’ engine model for the U.S.

It is possible – but not proven – that in total up to 400 Scorpione/Grand Prix/OTAS/Giannini cars were produced.

Seen below is a ‘68 Francis Lombardi Grand Prix model version to which aftersales Abarth badging has been applied.  The Campagnolo alloy rims were also likely aftermarket-fitted in period.  It was offered for sale in 2015 by Bonhams, fetching £13,800:

’68 Francis Lombardi Grand Prix #14170049  Courtesy Bonhams

For comparison, this ’70-built Grand Prix appears to wear badging for the Francis Lombardi marque, without any attempts to ‘Abarthise!’:  It carries a Fiat roundel on the front trunk lid, ‘FL’ badges near the trailing edge of the front wheel arches and a ‘Fiat 850’ chrome script on the left hand side of the rear panel; there is also a Francis Lombardi script on the right hand side of the dashboard.  The car was sold by Iconic Auctioneers at Silverstone in 2023 for £16,313.

’70 Francis Lombardi Grand Prix #15975006  Courtesy Iconic Auctioneers

A ’68 Abarth Scorpione S is illustrated next.  Chassis #1236614103, carries the standard badging with just an Abarth crest on the front trunk lid in the centre, near its leading edge, and a chrome script ‘ABARTH 1300’ on the right hand side of the rear panel.  The VIN plate is engraved: Tipo 1300/124; No Telaio 1233614103; No  Motore 0659475.  In the auction lot description, Bonhams claimed: ‘This Scorpione S is believed to be one of just 4 examples in the USA of the approximately 30 produced.’  It sold at Scottsdale in January 2025 for $47,040.

’68 Fiat Abarth Scorpione #1236614103  Courtesy Bonhams

An example of the OTAS version is this ’68 ‘Grand Prix 820 CC,’ batch #0033.  The seller suggests this car is number 33 of a run of 120 built and so, ‘early,’ though the date attribution must be in doubt as the OTAS company was not formed until ’69.  Also, the car’s engine deck lid is of the later, 2nd series, louvred type.  It would be reasonable to suppose that it was in fact a ’69 or ’70 build.  Engine is the 903 cc version.  This is another Grand Prix which has had Abarth badges applied post-production.  But, most significantly bodywork-wise, notice that the front trunk deck incorporates a central, longitudinal raised section – this feature is also seen on the later OTAS Grand Prix seen further below.  Notice also the insubstantial tubular bumpers – the rear item seen here is also evident on the other OTAS Grand Prix further below.

’69-’70 OTAS Grand Prix 820 OTAS #0033  Courtesy CarandClassic

Although it’s never wise to bank on chassis/batch numbers being reflective of build chronology – especially with Italian cars of the era – another reason for questioning the date attribution of batch #0033 is that the next OTAS Grand Prix, dated to ’71, has a much lower batch number - #0007.  It’s a car that sold for $26,880 in 2019 by Bonhams at Quail Lodge.

71 OTAS Grand Prix 820 CC OTAS #0007  Courtesy Bonhams

From the same year, #1447434, batch #0014, the OTAS 820 CC Grand Prix seen below started life in red, but is today repainted in Verde Miura – a nod perhaps to the notion that the Grand Prix has the look of a ‘mini’ version of Lamborghini’s first great supercar.  Bonhams sold it 2010 in New York for $28,080.  The OTAS 82 CC script badge is applied on the rear panel to the left of the right hand side tail light unit.

‘71 OTAS Grand Prix 820 CC #1447434  Courtesy Bonhams

The Abarth Scorpione SS was introduced in February ’69, (that is the date recorded by the Factory – other sources have suggested that the SS appeared before the S, the latter replacing the SS).  The SS version featured twin Webers and was a few Kg lighter, benefitted from upgraded brakes, wider track, double wishbone front suspension and had Campagnolo Elektron (magnesium-alloy) wheels with 165 section tyres (155 on the S).  Top speed was claimed to be 118 mph.  (There is something of a mystery about the SS in that the factory’s data sheet records the model as equipped with the single Solex C 32 PHH carburettor and the same bhp value – 75 – as quoted for the S model).  On the twin Webers, the car’s Tipo 204 engine has been rated elsewhere at 100 bhp.  Bonhams says that only six SS Scorpiones were built, one of which is #128/292067, seen below.

’70 Fiat Abarth Scorpione SS #292067  Courtesy Bonhams

In late ’68 when the Scorpione was launched, with the given success of the established models in Touring/Sport competition – 595, 695, 850 TC, 1000 Berlina, 1000 SP, OT 1300 – a factory racing programme was not envisaged for the model.  Inevitably though, some owners saw potential competitiveness in minor events, and, seen below, is an example which was hillclimbed in-period.  # 1411387261 was offered in ’15 with an estimate of £45-50,000 (but not sold) by RM Sotheby’s.  The lot description notes that the original owner sold it to Italian racing engineer, Francesco Landi, a hillclimb competitor.  Landi fitted twin Weber 40DCOE carburettors and re-configured the front suspension from transverse leaf spring to his own coil-over-shock design.  He took 2nd place at the Coppa dello Collino on his first outing with it.  Recent colour photographs of the car are shown below together with some in black & white, competing in-period:

’69 Fiat Abarth Scorpione S #1411387261  Courtesy Tom Wood/RM Sotheby’s

’69 Fiat Abarth Scorpione S #1411387261  Courtesy RM Sotheby’s

It is often cited that the Scorpione was the last Abarth model developed and launched prior to the company’s absorption into Fiat.  Carlo Abarth’s sale of his business was formalised in mid-October ’71.  An early decision taken by the new management at Corso Marche was the cancellation of the Scorpione and all production was completed before the close of that year.  Parallel with his role in creating the Scorpione, Carlo maintained an interest in the establishment of the Grand Prix as a mainstream car available in the U.S. market.  To this end, he co-operated  both with John Rich and the OTAS company.  Rich’s Rich Motor Company was the leading dealer for Fiat and Abarth on the West Coast but John was ambitious and resourceful in seeking to further expand his business.  Empathetic with this, Carlo helped with the fabrication of a U.S.-specific engine for the Grand Prix.  This was necessary because of new legislation that sought to address the increasingly recognised problem of environmental pollution.  The Clean Air Act of ’70 had led to the establishment of an Environmental Protection Agency.  This rapidly became home to a team of zealot officers who perceived the automotive industry in very negative terms, especially because of the contribution to ‘smog’ from vehicle exhaust emissions.  Further, there was likely a notably socialist basis to the political leanings of the Agency’s personnel, strengthening their desire to take such huge corporations as America’s Big Three – Ford, GM and Chrysler - to task.  A major imposition introduced was the requirement for the engines of all cars marketed in the U.S. to be compliant – proven by stringent testing and mandatory certification – with new exhaust emission standards aimed at levels of hydrocarbons, carbon monoxide and nitrogen oxide outputs being reduced by 10% around the mid-decade point.  There was however a glimmer of relief for smaller makers who would be unable to fund all the development and testing involved – engines with a capacity of less than 50 cubic inches were exempt.  Thus, the existing U.S. version of the Fiat 850 engine was derated to 817 cc.

If the EPA could frustrate the mighty power that was Ford Motor Company – charged with failing to certificate the compliance of production output prior to offer for sale – it would have no difficulty with applying scrutiny and demanding proof of justification for exemption from a minnow like OTAS – a significant distraction as the company attempted to market the car and build a dealer network.  Consequently OTAS struggled to establish a volume of sales sufficient to consolidate the company’s viability.  And the situation was not helped by the spread of stories about the Grand Prix being prone to engine failure because of a marginal cooling system causing overheating problems in the hotter states – a similar experience being reported about cars exported to Australia.

As a result of these issues, the company folded in ’71, so, as with the Scorpione version, the OTAS 820 was out of production by ’72.  Some sources have suggested that as many as 100 cars (one specific assertion is of 76 units) may have been imported/sold, but the actual number is not verifiable from available documentation.






Tuesday, October 1, 2024

Abarth's 912 - the Mono Mille GT


The transition of Abarth’s GT models from the Zagato collaboration 750/500/700/850 variants to the Abarth-styled, Beccaris-bodied Mono Mille is covered in my earlier post, More Magic from Corso Marche.  Of particular significance was the emergence of the Bialbero version of the Fiat 600-derived  engine, (Tipo 221), featuring in the Zagato bodied 750 Record Monza from early ’58, (along with the Tipo 222 695 cc version for the ‘700.’)  Through the following year and early 1960, further twin cam model variants appeared: Record Monza 850 and 850 and 700 GTs.  Meanwhile, Carlo was energetically at work in a period of change which encompassed the recruitment of Mario Colucci, negotiation of a ‘divorce’ from Zagato, establishment of a revised, ‘closer-to-home’ body styling/building capacity, and prospecting for a new manufacturing partnership to complement the ongoing arrangements with Fiat.

Having Mario Colucci on hand with his extensive range of skills and expertise was a key element in Abarth’s plan to gain control over the cost, productivity and quality aspects of body manufacturing for the marque’s GT models.  Carlo appointed Colucci as his manager of the Mechanical, Chassis and Bodywork Departments.  In regard to the latter specialism, Colucci’s abilities had been clear to see during the collaborative Alfa Romeo-Abarth 1000 project of 1958, (while he was still employed at the Milan marque’s Portello factory).  So, as soon as Colucci was in place at Corso Marche, he was tasked with reviewing and improving the new GT model's styling proposal already provisionally established in-house.  This had been based on the existing Zagato model and Carlo not only wanted a measure of aesthetic enhancement, but also a means of demonstrating that the new design was distinctly Abarth’s.  This second consideration was important for commercial and legal reasons, Zagato being put out by Carlo’s decision to end their partnership and likely to complain that what we today term their intellectual property had been stolen from the Carrozzeria by Abarth.  There was indeed a substantial dispute, but no legal action.  Indeed, in 1960, when the 1000 GT body was judged worthy of the Italian Association for Industrial Design’s annual “Compasso d’Oro” prize, it was awarded to Ugo Zagato.  In unusually conciliatory mode, Carlo chose to bite his tongue and not protest and ventilate the actual provenance of the new car’s design. 

With Zagato located 150 miles distant from Corso Marche, Carlo found that it was difficult for him to intervene on a day to day basis in order to resolve practical issues of productivity and to chase for the completion/delivery of bodies.  His view was that whilst he had understanding and command of all the involved automotive-making business practices – engineering, manufacture, aesthetics, finance and marketing – at Zagato they were over focused on the aesthetic element at the expense of the other areas of activity.  And in regard to manufacturing, Abarth found it necessary to be persistently complaining about the quality of Zagato’s work.  It’s fair to say that Ugo and Elio Zagato were sympathetic about the issue, even going to the extent of quietly engaging the small carrozzeria, Corna, (which had made the 700 and 850 Bialbero coupes of '59), to build the initial batch of 1000 GT bodies.  By virtue of the firm’s size and reputation, and given that it was located close to Abarth, it was hoped that these would meet Carlo’s quality expectations and that by observation of Corna’s working practice, Zagato’s own could be improved to the benefit of future production.

An alternative account of the Zagato/Abarth dispute as a tactical matter has been published on the Berni Motore website, loosely translated: Corna acted as a subsidiary of the Zagato body shop when it couldn’t meet Abarth’s requests due to too many commitments, (and the cars) were called ‘Corna Berlinettas.’  At the end of the work, the ‘Corna Berlinettas’ had the Zagato ‘Z’ badge applied to the front wings.  Zagato duly claimed a royalty on the bodywork design.  Carlo Abarth objected to this, so he barred application of the badge and refused to pay the royalty.  This irritated Zagato and a row ensued that ended the collaboration.  Abarth decided to go ahead alone, but he couldn't do it with Corna because of the Carrozzeria’s relationship with Zagato.

Whatever the reason for the Abarth/Zagato split, the new GT model bodies were a key consideration for Abarth in managing its capacity for production of the completed cars and ensuring that manufacturing costs incorporated minimum-possible wastage.  It was important to guard against loss of available working space within the factory, yet this was a problem always lurking in the wings because of the nature of the Bialbero version’s target market.  This was mainly composed of amateur racers – a cohort which was notorious for responding impulsively to fads.  Thus, if a particular car unexpectedly started being a serial winner, drivers would often believe that it possessed some new magic and flock to its maker with a request for soonest-possible delivery of a car to the same specification.  Add to this the seasonality of motorsport, the not infrequent unplanned need for a replacement car because of a write-off shunt, and the volatility of funding, (mainly through sponsorship), and it is not surprising that orderly production planning and flow is an ongoing challenge for any constructor.  In addressing these issues, Abarth had perceived how helpful it would be if a road car version of a racing model could be coincidently produced, allowing any dips in demand for the racer to be covered by simply upping the number of stradale versions coming off the line.  So here was the dividend of the Bialbero and Mono Mille bodies being identical.  And with the option to create a ready availability of the single cam version, Abarth anticipated the commercially successful feat Porsche achieved in the early years of the 911 by introducing the four cylinder 912.

The difference in price was substantial.  The Mono Mille was offered at around £1150, whereas the Bialbero had a price tag of approximately £1670, (both figures variable according to options – for example, many Mono Mille buyers liked to specify Campagnolo or Cromodora alloy wheels).  Basic details for comparison:

Mono Mille (Tipo 110)

Bialbero (Tipo 130)

Engine type/BHP

#210/60 @ 6000 rpm

Engine type/BHP

#229/91 @ 7100 rpm

Carburettor

Solex 32 PB 1 C

Carburettor

Twin Weber 36 DCL 4

Gearbox

4 speed

Gearbox

4 speed – 5 speed (’63)

Final drive

4.3:1

Final drive

4.75:1

Weight

560 kg

Weight

570 kg

Top speed

106 mph

Top speed

127 mph (130mph ’63)

0-60 mph

Approx 9.7 secs

0-60 mph

5.7 secs (late 5 speed version)


The ‘Scorpione,’ Beccaris-built first version, Tipo 129, engine Tipo 210, was finalised in April ’61 and shown publicly at the Frankfurt show in September, and Turin in October, of that year.  A power output of 60 bhp was claimed, and weight quoted as being 560 kg.  In comparison, the 1000 Bialbero (ES-01) had been launched the previous year with 91 bhp and around 20 kg more curb weight than the Scorpione.  But, at around £1100, the Scorpione was 30% less expensive than the Bialbero.  With the Scorpione, Abarth possibly provided Porsche with the idea for the ‘entry/affordable’ 912 model once the 911 had replaced the 356. 

The Abarth/Beccaris body seen at the Turin Motor Show was Bialbero-engined and carried the Carrozzeria Abarth badge.  In comparison with the Zagato bodied Record Monza, its main distinguishing features were that the engine decklid incorporated a horizontal rectangular air intake aperture with hinged flush cover; below this was a series of louvre slots, (18, in two columns of 9), (as seen on the Abarth Porsche GTL), replacing the large central air intake scoop; vertical mounted/faired headlamps; central elliptical air intake aperture low in the front panel, (necessary for the front radiator demanded by the cooling requirements of the twin cam engine), and reprofiled, (with much reduced curvature of the rear screen), rear windows.  In this configuration, but with a louvre-less, (but propped open), rear engine decklid anticipating the ‘ducktail,’ #8948, race #8, was victorious at Sebring in March ’62 in the hands of Bruce McLaren driving for Briggs Cunningham.




According to the Abarth factory internal list of models/updates, distinct versions of the Mono Mille and Bialbero were as follows:
 
~1            01-1960     Fiat Abarth Bialbero Coupe Corsa Series 1
~2            04-1960     Fiat Abarth Bialbero Coupe Corsa Series 2/Monomille Scorpione Beccaris
~3            10-1960     Fiat Abarth 700/1000 bialbero Corsa Beccaris
~4            04-1961     Fiat Abarth Monomille Scorpione Beccaris
~5            10-1961     Fiat Abarth 1000 Bialbero GT Coupe
~6            05-1962     Fiat Abarth 1000 Bialbero GT World Champion
~7            05-1963     Fiat Abarth 1000 Bialbero GT Coupe/Fiat Abarth Monomille GT Coupe
~8            09-1963     Fiat Abarth 1000 Bialbero GT Longnose Series 1
~9            01-1964     Fiat Abarth 1000 Bialbero GT Longnose Series 2
 
This list has been published in Sergio Seccatore’s Abarth, The Scorpion’s Tale.  Also reproduced in the book are these relevant profile drawings:
Significant features of these variations include: 

~1    (ES01)  This is essentially the Record Monza body, still made at Zagato, or, perhaps at Corna.  Vertically mounted uncovered headlamps, large Scorpion crest on front panel, no central, elliptical aperture.  Weight – 585 Kg.  91 bhp.

~2   (ES01)  Body modifications away from the ‘pure’ Zagato style, especially engine decklid, covered/faired headlamps and reduced rear screen curvature.  Appearance of the Carrozzeria Abarth badge.  On the lower front panel, the Scorpion crest badge is relatively large and there is no elliptical aperture below.  Slightly lighter, and 124 mph top speed.

~3    (Tipo 129) Bialbero.   Front panel featuring an elliptical air intake aperture with a large Scorpion crest mounted centrally over the aperture, (and sometimes, e.g. #0293, between the aperture and the leading edge of the front bonnet panel).  Covered, faired headlamps. Flat rear screen with larger rear side window glasses.  127 mph top speed.

~4   (Tipo 100/ 129)  Mono Mille Scorpione has conventional small corner bumpers, front and rear, a feature never seen on Bialbero models.  On some cars, e.g. #100-249940, the rear bumper is more substantial and as mentioned below for the later version, (~7). Scorpion crest on front panel.  Rear radiator, 60 bhp and top speed of 106 mph.

~5    (Tipo 130S)  In comparison with the earlier Bialberos, ~1 and ~2, the late ’61 version benefitted from bigger, sidedraft Weber carburettors – 40 DCOE in place of 36 DCL4 - and introduction of a 5 speed gearbox.  Trailing edge of engine decklid, (now un-louvred), raised higher to create an enlarged rear aperture and increase the downforce-generating potential of the spoiler.  95 bhp, 130 mph top speed.

~6   (Tipo 130S)  A further increase in power - to 106 bhp.  Weight further reduced – to 545 Kg.  Top speed improved to 133 mph.

~7    (Tipo 129)  Bodies built by Sibona & Bosano (replacing Beccaris).  Bialbero with 104 bhp and 137 mph top speed.  Single cam car renamed simply to Mono Mille GT.  Carrozzeria Abarth badge on rear quarter panel below side window.  Where fitted, bumpers are more substantial – at the front running to just short of the intake aperture and to the number plate frame on the rear panel.  Retains 4 speed gearbox.  66 bhp, top speed – 110 mph.

~8    (Tipo 129)  Front clamshell in aluminium.  Nose profile extended forward.  Rear engine decklid with integrated trailing edge lip spoiler.  Wider wheels with arch extensions, especially notable on rear quarter panel.  Fasteners (2) mounted on side of the deck/rear quarter panel.  91 bhp, top speed – 129 mph.

~9   (Tipo 129)  Front clamshell in fibreglass and longer with more pointed profile/lower mounted headlamps.  Intake aperture also lowered.  Profile of engine decklid slightly revised with spoiler element altered and rear aperture enlarged  Fasteners (2) located on decklid trailing edge/rear panel.  Tyre widths revised to front 4.50, rear 5.25  104 bhp, top speed – 135 mph.


~4        Front bumpers, #100-249940:

(Matthew Jones ©2018)

            With additional higher bar:
          
(Courtesy Yutaka Yamagishi)

            Rear bumper, #100-249940:

(Matthew Jones ©2018)

~7        Front bumpers, #0381:

(Courtesy Bonhams)

Ducktail details:

’62 #0100-249940 Beccaris:

(Matthew Jones ©2018)


’63 #0380 Sibona & Bosano:

(Courtesy Fantasy Junction)


'63 #0381 Sibona & Bosano:

(Courtesy Bonhams)

Example Engine Bay:

’62 #100-249940 (Matthew Jones ©2018):




Example Scorpiones:


#100-249940 ('62) (Matthew Jones ©2018)


#112-8103 ('62) (Courtesy Bonhams)


#0353 ('63) (Tim Scott © 2012)


#9379 ('63) (Courtesy Bonhams)

Example GTs:


#0380 ('63) (Courtesy Fantasy Junction)



#0390 ('64) (Courtesy Gareth, BaT)



#0381 ('63) (Courtesy Bonhams)

Although the Scorpione and GT models were marketed as 'road cars,' leaving the Bialbero to fulfil the needs of customers desiring a machine machine, the single cam version was granted FIA homologation, effective January '63.  Below are 5 pages from the document set:

However, there was never any contemplation of the cars being supported as entries to serious Touring Car competitions.  Production volume was in case very modest, with some estimates being that around 100 were built, whilst other sources suggest that the number may have been as low as 25. 

The Mono Mille came to market in a period when a great deal of change – and at rapid pace – was taking place in the type/range of models emerging from the Corso Marche factory.  As the 1000 Bialbero and Mono Mille began to catch the attention of would-be buyers, so too did the products of the new collaboration with Simca, in the Abarth Simca 1300 GT, soon followed by 1600 cc and 2000 cc versions.  Meanwhile, with Fiat’s introduction of new 850 models and the Simca alliance withering, a new ‘family’ of GT Abarths evolved, beginning in ‘65 with the 1300 OT.  This glass-fibre-bodied model was homologated for Group 4 the following year and soon proved highly competitive and thus a sales success.  ’65 also saw the adoption of the Boano-styled Fiat Coupe body – more ‘boxy’ than the Abarth Carrozzeria-styled 1000 Bialbero/Mono Mille and Abarth Simca GTs – along with mechanical specification packages for higher performance in the form of the OTS, OTSS and OTR models.  A further development – reflecting the reaffirmed relationship with Fiat since Abarth’s adoption of the 850 chassis – was a new model for ’66 utilising a modified Fiat 124 engine, appropriately named the OT 1300/124.  By that point, Abarth’s small stradale coupes were very different in looks and construction from the post-Zagato-divorce 1000 Bialbero and Mono Mille GTs which had exemplified Abarth’s sporting spirit for the first half of the decade.